तिल्लाना सिन्धु भैरवी / बॉम्बे जयश्री / लालगुडी जयरामन

https://youtu.be/dKqLEhFf6Cg

Bombay Jayashri -- Thillana in Sindhu Bhairvi

dhImita jhaNu (t). rAgA: sindhubhairavi. Adi tALA. Lalgudi Jayaraman.

Lyrics for Lalgudi's sindhubhairvi tillAnA : 

P: dhImita jhaNu jhaNuta dhIm tana dhImta tatingiNa tOm tanatOm jhaNutOm dhImta tOm
A: takadhIm jhaNudhImtakiTa dhimita jham tanana dhIm jhaNu tadhIm dhimita jham takiTa jham 
tatOm tadhIm kiTatakajham jhaNu jhaNu takiTa tatdhIm jhaNu takiTa tatdhIm jhaNu jhaNu takiTatat 
C: mAlOn marugan murugan cenkai vElOn vEDuvar kula mangai 
AlOlam kUva magizhndaruL mElOn sEvaDi mEvip-paNivOm
ga ga *ni sa ga ma dhA ; tOm tAm dhIm jham ma dha ma ga ri sa dha dha ga ma dha ni rI ; tOm tAm dhIm
jham ni dha ma ga ri sa tAm tAm tAm dha pa ma ga ri dhIm dhIm dhIm ri* sa* ni dha pa dhA , gA* ma* ga* 
(or gA* instead of ma* ga*) ga* ri* rI* (or rI) ; tajjham mA , mA , rI *nI takiTatAm tatAm tadhIm ma dha pa ma ga takiTatAm tadhIm tajham ni ri* sa* ni pa ni sa* ri* gA* jhaNuta dhIm ga pa dha ni tajhaNu dhIm ni sa ga ma pa dha ni sa 
tarikiTa takajhaNu jhaNutaka dhIm dhIm dhIm tarikiTa takajhaNu jhaNutakadhIm dhIm dhIm tarikiTa
takajhaNu jhaNu takadhIm dhIm 

Meaning :

Attaining (mEvi) the beautiful feet (sEvaDi) of the celestial being (mElOn), the handsome one (murugan), the nephew (marugan) of vishNu (mAlOlan - One who dallies with mA/lakshmi), the one who wields a spear (vElOn) in his beautiful hands (senkai), the one who delightfully blessed (magizhndaruL) the lady (mangai) from the clan (kula) of gypsies (vEDuvar) as she made loud noises to drive away the birds (AlOlam kUva), let us pray (paNivOm)!

ये रातें ये मौसम .../ पलक जैन / बाँसुरी

https://youtu.be/H5gMCIK3aKo

ये रातें ये मौसम .../ पलक जैन / बाँसुरी 

Sachin Jain ; Palak Jain

Palak Jain

It is said that daughters are blessings. Sachin considers his daughter as a super blessing. Rare are the lucky parents who share the stage with their kids and the feeling is just awesome. Palak started learning flute at a tender age of 7 years and his father was her first Guru. Having two roles (one as a loving father and the other as a strict Guru) has always been a challenge for Sachin. So the scenes of Dangal were obvious at home. However, sooner than later, Palak realized the power of music and co-operated well. She went on learning with her father and both started learning from Anand Kashikar, and Himanshu Nanda also. At the current age of 14, she has got a good control over the instrument and tries to be innovative at the same time. She has started giving flute lessons to the learners as well.

This Father and Daughter duo now performs regularly in public and private events over flute and Sax. They have a Facebook page in name of The Golden Notes and YouTube Channel in name of sachinjain76. They live happily in Pune, Maharashtra with family.

Sachin Jain, a Chartered Accountant by qualification and currently working as a National Manager in Operations in one of the most reputed NBFC in Pune had picked up flute somewhere in 1996. He started this musical journey from his hometown Multai (a small town of Madhya Pradesh. The origin of holy river Tapti), where he learned the basics of flute from Shri Habibraj. The learning was going on at a slow pace until he shifted to Mumbai in 2011 out of job transfer and got to know about a new world of flute players. Immediately, he got the reference of Jay Thakkar, a senior disciple of Pandit Hariprasad Chaurasia and started learning professionally from him. Jay Thakkar coached him to handle and blow the base flutes wonderfully. After that, he took guidance from Anand Kashikar, a senior flutist of Mumbai for a long time. On and off, Sachin took guidance of Himanshu Nanda also, a senior disciple of Pandit Hariprasad Chaurasia and Director of Chinmaya Naad Bindu (CNB).

Saxophone fascinated Sachin for a long time while learning the flute. But there were a lot of hitches in starting the same. Where to find a Sax teacher who can teach in Indian classical style? Also, the saxophone is a complex machine to handle with an unusually high cost of the instrument as against the flute. The uncontrolled volume of the horn could be a trouble for neighbors and whether they will allow the practice (Yes, Sax is also called Horn. It sounds horrible if the volume is not controlled).

The fear of failure in handling the instrument once bought was also one of the deterring factors. Sachin’s mother, who is the inspiration behind flute also, once watched a Saxophonist playing in Kapil Sharma’s show. “Sachin, ye to tu bhi baja sakta hai. Try kar” (Sachin, even you can do this, do try), she told Sachin in 2016. And then, the trial of the instrument began at various musical shops to try different brands of Saxes, trying to get the sound at the first place and convincing self and family that he can genuinely try the instrument. He bought the first Sax in Dec 2016 and learned by himself as he could not find a teacher. His requirement was to learn the instrument from Indian Classical style and not from the staff notations pattern. He didn’t stop and upgraded the instrument which he got from London in 2018. In the meantime, he found Anil Karamakar, a senior Saxophonist from Pune and he keeps taking his valuable guidance whenever required.
(https://www.indiantalentmagazine.com/2018/10/05/sachin-palak-jain/)

तुम मुझे भूल भी जाओ तो ये हक़ है तुमको ... / साहिर लुधियानवी / सुधा मल्होत्रा

https://youtu.be/Tkl73ekcpJE

तुम मुझे भूल भी जाओ तो ये हक़ है तुमको ... / साहिर लुधियानवी / सुधा मल्होत्रा

तुम मुझे भूल भी जाओ तो ये हक़ है तुमको
मेरी बात और है मैंने तो मुहब्बत की है

मेरे दिल की मेरे जज़बात की कीमत क्या है
उलझे-उलझे से ख्यालात की कीमत क्या है
मैंने क्यूं प्यार किया तुमने न क्यूं प्यार किया
इन परेशान सवालात कि कीमत क्या है
तुम जो ये भी न बताओ तो ये हक़ है तुमको
मेरी बात और है मैंने तो मुहब्बत की है
तुम मुझे भूल भी जाओ तो ये हक़ है तुमको

ज़िन्दगी सिर्फ़ मुहब्बत नहीं कुछ और भी है
ज़ुल्फ़-ओ-रुख़सार की जन्नत नहीं कुछ और भी है
भूख और प्यास की मारी हुई इस दुनिया में
इश्क़ ही एक हक़ीकत नहीं कुछ और भी है
तुम अगर आँख चुराओ तो ये हक़ है तुमको
मैंने तुमसे ही नहीं सबसे मुहब्बत की है
तुम अगर आँख चुराओ तो ये हक़ है तुमको

तुमको दुनिया के ग़म-ओ-दर्द से फ़ुरसत ना सही
सबसे उलफ़त सही मुझसे ही मुहब्बत ना सही
मैं तुम्हारी हूँ यही मेरे लिये क्या कम है
तुम मेरे होके रहो ये मेरी क़िस्मत ना सही
और भी दिल को जलाओ ये हक़ है तुमको
मेरी बात और है मैंने तो मुहब्बत की है
तुम मुझे भूल भी जाओ तो ये हक़ है तुमको


Sahir Ludhianvi :

Abdul Hayee (8 March 1921 – 25 October 1980), popularly known by 
his pen name Sahir Ludhianvi, was an Indian poet and film lyricist who 
wrote in the Hindi and Urdu languages. His work influenced Indian cinema, 
in particular Bollywood film. 

Sahir won a Filmfare Award for Best Lyricist for 
Taj Mahal (1963). 

He won a second Filmfare Award for Best Lyricist for his work on 
Kabhie Kabhie (1976). 

He was awarded the Padma Shri in 1971.

On 8 March 2013, the ninety-second anniversary of Sahir's birth, 
a commemorative stamp was issued in his honour.

Sudha Malhotra was born on November 30, 1936 in Kurukshetra. 
Sudha spent her childhood days in Lahore, Bhopal and Firozpur. 
She completed her graduation in music from Agra University. 

Sudha Malhotra gained her grooming in Indian classical music, 
under the guidance of Ustad Abdul Rehman Khan and 
Pandit Laxman Prasad Jaipurwale. 

She began her musical career at a tender age of five. 
Her talent was discovered by the then famous and 
revolutionary music director Ghulam Haider, at a 
programme in Firozepur in the aid of Red Cross. 

With her enrapturing beauty and melodious voice she 
chiselled out her career to perfection as a child artist in 
All India Radio, Lahore. Later, Sudha gained new heights 
by joining film singing at the age of eleven. 

Her bhajan in Kala Pani 'Na Main Dhan Chahun..'
became immensely popular. She sang the famous 
qawwali 'Ishq Ishq..' in the film Barsat Ki Raat. 
This song was recorded for a period of twenty-nine 
continuous hours. She was awarded the Kala Bhushan 
award by Gyani Zail Singh, the then president of India.

She was awarded the Padma Shri by Government of India in 2013

तिरंगा लहर-लहर लहराए .....अपनी लोकगायकी से लाखों दिलों में बसने वाले बिरहा सम्राट हीरालाल यादव अब हमारे बीच नहीं रहे..

https://youtu.be/6z6ZWgGIUJ8

तिरंगा लहर-लहर लहराए .....

Tiranga Lahar Lahar Lahraaye [ Patriotic Bhojpuri Video Song ] Hamar Goriya

Hiralal Yadav (1925/1926 – 12 May 2019) was an Indian folk singer, 
who was awarded the Padma Shri, in 2019. He was awarded the Yash Bharti Award in 2015.
He is famous for singing folk songs called Birha. 

दिव्य आह्लाद / पार्वती बाउल / सन्निधि

https://youtu.be/u8RQ6ISQTqg

Divine Delight | Parvathy Baul | Sannidhi

She carries him everywhere. She sings to him, dances to him. Who, who? Call him what you may. A little idol.
The eternal cow herder.
Whatever you say, he is full of the sweetness of a ladoo! Meet Parvathy Baul's Ladoo-Gopal whose naughty eyes
open the doorway to the drunken divine delight felt in the
songs of the Bauls, The Mad Mystics of Mother India. In this 7 minute video Parvathy Baul, one of contemporary India's
most famous Baul performers reveals her sutra into the world of
divine delight.
A bit through words, much through experience.
And it all begins with that naughty cow-herder,
full of the sweetness of a ladoo.
Yes! Ladoo Gopal!

A set of Bharathanatyam repertoire chosen from various LIVE performances.

https://youtu.be/9EcVsOJvO4c

SDN's BALA MARGAM Volume 1 - 

Sridevi Nrithyalaya - Bharathanatyam Dance

This is a set of Bharathanatyam repertoire chosen from various LIVE performances. List of Items in the DVD: 1) Pushpanjali & Keertanam Pushpanjali Ragam - Gambheera Nattai; Talam - Adi Composer - Madurai R Muralidaran Keertanam - Omkaranatha Vadivana Perumane Ragam - Neethimathi Talam - Kanda nata Adi talam Composer - Madurai Sri R Muralidaran

Dancer - Shreya Sree 2) Shanmukhai Kouthuvam Ragam - Shanmukhapriya Talam - Adi Traditional

Dancer - Akshaya B 3) Parameswari Sabdam Ragamalika Misrachapu Composer - Smt. Uma Balakrishna Music - Sri Kuldeep M Pai

Dancer - Sai Smriti Suresh 4) Varnam - Konjum Sathangai Ragam - Lathangi Talam - Adi Composer - Madurai Sri R Muralidaran

Dancer - Mrinalini Sivakumar 5) Kannan Chindu - Maadu meikkum kanne Ragam - Senchurutti Talam - Tisra nata Adi Talam Traditional

Dancer- Vishwasree 6) Keertanam - Singara Velavan vandaan Ragam- Anandabhairavi Talam - Adi Composer - Sri Papanasa Sivan

Dancer - Shreya Chandrskar 7) Thillana Ragam - Desh Talam - Adi Composer - Sri Dhandayutapani Pillai Dancer - Vishnupriya Credits : Choreography & Nattuvangam - Dr. Sheela Unnikrishnan & Sri Rakesh Vocal - Sri G Srikanth & Sri Kuldeep M Pai Mridangam - Sri Guru Bharadwaaj Flute - Sri Muthukumar & Sri Devaraj Veena - Sri Ananthanarayanan & Sri Bhavani prasad Violin - Sri Embar Kanna

इथ नहीं ते किथ नहीं... / लव के वंशजों की भाषा / सनम मारवी

https://youtu.be/eYKtKRRyf9Y

THE POET : SACHAL SARMAST

Sachal Sarmast was a Sufi poet from Sindh in modern-day Pakistan. 

He wrote poetry in 7 languages, most prominently in Sindhi, during the 

Kalhoro/Talpur era of Sindh. 

He was born in Daraza, near Ranipur, Sindh.

Born: 1739, Daraza

Died: 11 April 1827

Buried: Daraza

Parents: Mian Salahuddin

Books: Fareed to Fareed: Translations Bouquet : 

Baaba Fareed Ganjshakar, Shah Husayn, Sultaan Baahu, 

Bulleh Shah, Sachal Sarmast, Khwaaja Ghulaam Fareed

Influenced by: Shah Abdul Latif Bhittai, Rumi, Attar of Nishapur

THE SINGER : SANAM MARVI

Sanam Marvi is a Pakistani folk and sufi singer. 

She sings in Sindhi, Punjabi and Balochi languages. 

Born: 17 April 1986 (age 33 years), Hyderabad, Pakistan

Spouse: Hamid Ali Khan

Parents: Faqeer Ghulam Rasool

Albums: Ishq, Sanam Marvi (Live), Preetum

THE LANGUAGE : SARAIKI

This language is called Saraiki language, pure language of

Sarswati area of ancient Hindustan and Indus valley, was

spoken by descendants of Lav, son of Shri Ram.

When his father exiled him, he came to current South Punjab.

That time Mul-Sthan (Multan) was capital of Sindh.

This sweet language having influence of Sufi-ism is

widely spoken in Sindh, South Punjab some part of

Balochistan and Northeren province kpk in Deira Ismail khan

and many parts of India.

In India it is also known as Deira wali and Multani language.

It is sister language of Sindhi, Gujrati and Kachchhi.

LYRICSAND TRASLATION

tu mila bhi hai tu juda bhi hai

You are in union and also separated

tu sanam bhi hai tu khuda bhi hai

You are the idol. You are also God

tera kya kahna

You defy description!

kya kahna

defy description!

ith naheen te kith naheen

if not right here, then nowhere

ith naheen te kith naheen

if not right here, then nowhere

eeho kaun pya bolainda

who is this who is speaking 

bolainda

is speaking

bolainda

is speaking

ith naheen te kith naheen

if not right here, then nowhere

kanjari waali soorat ban ke

assuming the appearance of a dancing girl

sachal naam saḍenda

"Sachal, the Truthful' is he proclaimed as

he is proclaimed as "(Sachal) the Truthful'

saḍenda

proclaimed as

saḍenda

proclaimed as

ith naheen to kith naheen

if not right here, then nowhere

ओ बदर तरा रोम.... (पश्तो ) / मोज़दह

https://youtu.be/nj1_cNAP9ZQ 

Mozhdah Jamalzadah (born 11 August 1982 in Kabul, Afghanistan) 

is an Afghan singer . During the civil war in Afghanistan, at the age of 

five, she and her family fled to settle in Canada. 

Raised in Vancouver, British Columbia, Mozhdah studied 

Broadcast Journalism at the British Columbia Institute of Technology, and 

Philosophy and Political Science at the University of British Columbia. 

She also wrote songs. Among these songs was Dokhtare Afghan 

(Afghan Girl). Dokhtare Afghan was an instant hit on the Afghan TV 

stations and airwaves. It also earned Mozhdah 

many nominations and awards at the Afghan and International 

TV and radio stations. In December 2009 she was offered a position 

to work with an up-and-coming television station in Afghanistan, 1TV.

The main chorus goes

I bring you water,

I cook you vegetables ,

I walk by your side and

I will run your house O! homeless(jogi).

The first verse is,

There are two pigeons sitting on the wall,

one is killing people with her looks while

the other is getting ready O! homeless(jogi).

The second verse is

Drill a hole in your wall so that

we can hold hands with each other,

but your dad is selfish he will just

cover the hole again O! homeless(jogi).

The final verse is

My love is a Hindu and

I am a Muslim,

but I love her so much that

I will clean her temple for her

O! homeless(jogi).

ENGLISH TRANSLITERATION :

https://lyricstranslate.com/en/oba-derta-rowrom-oba-derta-rowrom.html

Oba Derta Rowrom

Oba darta rawaram, saba darta pakham

Yara zem darsara, khana ee wran na-sha jogi

Oba darta rawaram, saba darta pakham

Yara zem darsara, khana ee wran na-sha jogi

Pa qala dwe kaftare naste de

Yao e wishtal ka bal e zan singaraweena o jogi

Oba darta rawaram, saba darta pakham

Yara zem darsara, khana ee wran na-sha jogi

Dewal sorai ka gutey rakra

Plar de khadgar da biya ba jor kri dewalona o jogi

Oba darta rawaram, saba darta pakham

Yara zem darsara, khana ee wran na-sha jogi

Yaar mai hindu za musalman yam

De yaar da para dharam saal jaro kawama o jogi

Oba darta rawaram, saba darta pakham

Yara zem darsara, khana ee wran na-sha jogi